The fun story of a father who wants to see his children, plays the role of a nanny.

Gokce, is turning 30 and still doesn't have any man in her life. She just watches as her other friends get married. She works in an advertisement company called 275. And suddenly she decides to get in love with her boss 'Demir ' . Demir is the dream of every girl, as he is such a handsome and rich man. So can Gokce make Demir fall in love with her?

永卡是一位单身母亲，正艰难地抚养着她5岁的女儿。永卡和萨雷虽然贫穷，但她们相互陪伴，生活也算幸福。突然，萨雷疏远已久的父亲重新出现，并起诉要求获得抚养权。接着，永卡被赶出了自己的家，随后又丢掉了工作。当一切都陷入绝境时，她收到了一个改变人生的……

This impressionistic film captures the uniqueness of life and creativity. An experimental feature comprising 40 distinct acting roles, each captured on its own 16 mm film roll, offering a kaleidoscopic mosaic of human traits that fluidly crosses comedy, drama, and documentary styles. Rather than following a conventional narrative, it presents standalone character portraits that collectively inspire creative artists to define and communicate their vision clearly.

Ivan Dykhovichny 借由对一个世纪以来的苏联和俄罗斯电影史的研究，得以评估开放政策（гла́сность）之前银幕上女性角色的呈现与演变。影片中涵盖了沙皇末期以及苏维埃时期的稀有影片，如 L. Koulechov 的《快乐的金丝雀》（Le gai canari，1929 年）、O. Rakhmanova 的《春风的故事》（Conte du vent de printemps，1918 年）、E. Slavinsli 的《少女与流氓》（La demoiselle et le voyou，1918 年）、P. Tchardynin 的《吉普赛浪漫曲》（Romance tziganes，1915 年）、S. Youtkevitch 的《花边》（Dentelles，1928 年）、Ya. Protazanov 的《41 号》（Le 41e）、E. Dzigan 的《女人》（1932 年）。该片由 Ivan Dykhovichny 与 Martine Jouamdeau 共同执导，文字部分由 Bernard Eisenschitz 撰写。

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A filmed version of Sid and Marty Krofft's 1968 live puppet show, set at a medieval fair. The special was a pilot for a weekly series.